Review by Tessa
Scout, aka Shadoweyes – a surprise shapeshifter
Kyisha, BFF of Scout, but not putting up with her shit.
Sparkle, upbeat and unlucky Pony Master
Noah, Kyisha’s boyf, with his own opinions about how to be a vigilante
It’s the year 200X. Humanity lives in a giant, cobbled together trash heap. Scout finds herself suddenly able to transform into a bulbous-headed, harpoon-tailed, adorable blue creature: Shadoweyes. Finally she can fight injustice the way she was meant to.
Shadoweyes opens with a long view through deep space, past an asteroid and broken satellites orbiting a planet with a barren surface, towards a buried bridge, leading to a Blade Runner-esque city named Dranac, all looping highways and jumbled buildings, with trash stuffed in all the crevices. This could be Earth’s future, or its past, or not Earth at all. But the people of Dranac are distinctly humanoid (with cyberpunk style).
Scout and Kyisha are busy hanging out and designing Scout’s Crimewatch persona – there are apparently neighborhood groups dedicated to fighting petty and violent crime, which tells you a lot about how much the governmental structure must care about its citizens. Once the name “Shadoweyes” is decided on, they leave on their first patrol and notice a man being menaced by a brick-wielding youth. In short order, Scout gets knocked out by said brick, Kyisha punches the dude, and a week or so later a recovering Scout goes into her bathroom and transforms into a little blue creature with a tail and light-sensitive eyes. She can change back, but it’s really painful.
For Scout this is a perfect opportunity to fight crime, but she doesn’t know what the hell is going on. Does this have anything to do with the brick or is it something that was waiting to happen to her, stuck in her genes? As it gets harder and harder for her to change back, she decides to leave home and become a full-time vigilante. Only Kyisha knows who she really is.
Then Scout saves someone half-dead. Someone who promptly kidnaps one of Scout’s classmates, the unbelievably peppy Sparkle. And although she’s sick of being homeless and hungry, Shadoweyes now has a real goal to achieve. And an excuse to visit her mom.
What was the book’s intention and was it achieved?
One of the things I loved about reading Wet Moon, Ross Campbell’s other slice-of-life graphic series about a subtly creepy town in the Deep South was its matter of fact depiction of goth/industrial/emo kids of all shapes and sizes. It was like all the token characters in TV or wherever had gotten together to create a real life for themselves (without realizing they were living right next to the set of True Blood and some of that otherworlidness was bleeding into their world.) The same can be said of Shadoweyes, but the goth aesthetic seems less notable in a cyberpunk setting. The characters care about what they look like, but they don’t seem to be consciously dressing to be part of a subset. Maybe that’s what everyone looks like.
Another thing that I really like about Campbell’s way of settling us into the world of Shadoweyes is how he inserts information about the society without just outright making it part of a voiceover. Within the first couple pages we know that Kyisha has a serious peanut allergy and that Scout has asthma, which clues the reader in to the possible environmental effects of living in Dranac, without totally spelling it out.
Although the story of a weaker person (class-wise and, in this case, physical strength-wise) gaining superhero powers isn’t new, it has a renewed strength here. It has grittiness via its setting and heart via its characters, and even humor, as when we see a view of Shadoweyes’ lair, covered with newspaper clippings of her exploits, and one particularly large headline reads: “Shadoweyes helps student with biology homework.” While the plot moves along at a quick pace, it mostly focuses on the emotional turmoil of becoming Shadoweyes–with, admittedly, a long conversation in the last issue of the collection between Shadoweyes and Sparkle that could have been shortened or used the graphic format to better effect. There are hints of more exciting conflicts to come, though, especially between Noah, Kyisha’s boyfriend, and Shadoweyes, as their views of when to let a bad guy go differ. I’m excited to see where this leads.
Malinky Robot: Collected Stories and Other Bits
Image Comics, August 2011
If you dig the gritty collapsed-society feel of Dranac, check out the world of Malinky Robot. There’s more gentle humor in here as Atari and Oliver try to suss out the pleasures of life at the bottom of society. The cover copy hints at this when it describes the stories as “featuring stinky fish, philosopher-labourers, and summer rain.”
The Many Adventures of Miranda Mercury
Brandon Thomas & Lee Ferguson
Archaia Entertainment, August 2011
For the lovers of strong female superheroes, we have Miranda Mercury. She carries on her family’s legacy of space heroism. She kicks major ass! A complex sci-fi swirl of buried intentions rides along on sharp lines as the plot twists and sizzles.
The Never Weres
Annick Press, February 2011
A speculative work from a Canadian author! I could take or leave (alright, leave) the narrator character, but if you focus on the story of a infertile human race a century in the future and one teenage girl who loves art and has a mysterious past, then you’ll find an imaginative work with an art style that called to mind Keith Haring, a little bit.
Disclosures & Digressions
I noticed on some Goodreads reviews of this volume that some people have a beef with Campbell’s faces – that they’re all the same or that they’re expressionless. Obviously I don’t hold those views, but I’ll just say that if you really want to see cookie cutter, expressionless faces, you should read Birds of Prey: Endrun. It’s a prime example of why I get frustrated when I try to get into reading the main superhero canon, and why I find Campbell so exciting.
Ross Campbell is all over the internet!
Standalone page: http://www.greenoblivion.com/
Oni Press Artist Page: http://www.onipress.com/creator/rosscampbell
I got this book from the library.