A review of Otherbound by Corinne Duyvis
Amulet (Abrams), 2014
by REBECCA, June 11, 2014
Every time Nolan Santiago closes his eyes, he sees through the eyes of Amara, a servant girl bound to a cursed princess in a world far from his own Arizona town. Amara has no idea he’s there. Until, one day, their worlds collide, and they realize that although all they want is to be rid of one another, their worlds are bound in a way that only working together can hope to untangle.
Whee! I’ve been so, so bloody disappointed with all the YA fantasy I’ve been reading lately, so much so that I’ve started and abandoned five or six fantasies in the last month or so. I had high hopes for Otherbound, though, and I am so thrilled not to be disappointed. Corinne Duyvis‘ debut novel is impressive and original. But, most important to me, it has stakes—the lack of which in a number of books I’ve reviewed have been driving me wild with confusion and frustration lately.
But I’m getting ahead of myself. Here’s the deal. Nolan’s parents, teachers, and doctors all think he is epileptic, diagnosing his departures into Amara’s world as micro-seizures. He has tried medication after medication, but nothing seems to have an effect on the seizures—because, of course, they aren’t seizures. He’s been visiting Amara’s world since he was a kid. Indeed, one of his early experiences of Amara’s world, while he was riding his bike, was so distracting that he was caught under the wheels of a car and lost his foot. So, although he is invested in Amara, her fellow servant Maart, and Cilla, the princess they serve against their will, Nolan pays a huge price for his implication in their world. His parents struggle to afford medications that don’t help him, his teachers and classmates don’t even notice when he barely makes it though the day it’s so common, and everyone in town knows to look out for his seizures. Nolan’s life isn’t wholly his own even when he’s in his own world.
Amara was taken from her home as a child because of her mage-like ability to heal herself and tasked with safeguarding Cilla, the princess who escaped her family’s overthrow with a curse that will kill her if she spills even one drop of blood. Amara’s job is to absorb the pain of the curse into her own body, should Cilla accidentally spill her blood, since Amara can heal herself. She and Cilla have been bound together so long that Amara has trouble knowing whether her feelings for Cilla are hatred, pity, friendship, or perhaps something more like love. She has no idea that Nolan has been with her, looking through her eyes and feeling what she feels, until one day he manages to take over her body—to make her body run when she’s in danger but has passed out.
When Nolan is finally able to control Amara’s body enough to explain that he is there (servants in Amara’s world have their tongues cut out and communicate through sign language), Amara is horrified to realize that what she once thought were private thoughts, sensations, and feelings, have been observed. But she and Cilla may need the insights Nolan has, as a longtime observer, to discover who cast Cilla’s curse and how to break it so that she and Amara—and Nolan—have a chance at living free lives.
When I say that Otherbound has stakes, I mean that there are real personal risks to and for characters, both physically and mentally. But there are also stakes because of Duyvis’ worldbuilding. Duyvis uses the class system of Amara and Cilla’s world to raise questions about the ability of a servant and a princess to ever enter into friendship or love as equals. Ethnicities, in Amara and Cilla’s world mean different things than they do in Nolan’s, but power and race and gender and pain are all bound up in both. Yet Duyvis never falls back on allowing these to be demonstrative of any fixed meanings about characters, groups, or places.
Otherbound starts a bit slow, especially because it shifts between Nolan’s and Amara’s worlds so quickly, but as the mystery ratchets up and the stakes grow, it really takes off. There are twists and turns, but never red herrings or deliberate obfuscations for the purpose of confusing the reader. For me, Nolan’s was the more interesting story. While I was taken in by Cilla and Amara’s adventures, I cared more about the boy attempting to live a life split between two worlds, always struggling to reassure his parents and sister that, maybe, just for today, his seizure medication is working and they can watch a movie or practice Nahuatl together. Otherbound is a story about connections and the ways we become tethered together, implicated in each other’s lives whether we choose to or not.
Otherbound will appeal to fans of contemporary YA, queer YA, fantasy, and adventure stories. Oh, and you should check out Corinne Duyvis’ website to see more portraits of her characters (she went to art school—no, seriously, look at some of those gorgeous pencil drawings!). Duyvis is also an organizer of Disibility in Kidlit, which is an amazing resource for all things disability in YA.
Can’t wait to see what she writes next.
Dream Catcher series by Lisa McMann (2008–2010). Janie can’t help it: she gets sucked into other people’s dreams. When she falls into a different kind of terrifying nightmare, Janie isn’t just an observer—now she has a part to play.
A Resurrection of Magic series by Kathleen Duey (2007–present). Duey’s series (which I ADORE!) alternates quickly between perspectives in an attempt to solve a mystery of magic too. My full review of Skin Hunger is HERE. The third book in the series is slated to come out this summer.
procured from: I received an ARC of this book from the publisher in exchange for an honest review. Otherbound by Corinne Duyvis will be available June 17th.