Maybe you’re already reading this series, about a boy named Max who finds out that he’s the son of an Irish mythological figure, and goes to magical boarding school in America (not in that order) and then the world irrevocably changes because the wrong book gets into the wrong allegedly-demonic hands, in which case RAD, can we chat about it together?
BUT – I’m guessing that lots of people haven’t – at least it hasn’t been written up in the many places that I go to hear about books. Granted, there are way more places to go read about books that it’s just not possible for me to visit. There are a couple of reasons that may explain this – the series is older middle grade and the first two books read very much like American Harry Potter, so I feel as though it may have been dismissed as reductive in some people’s minds.
There are some very compelling reasons (I hope) to give The Tapestry series a second look if you weren’t into the first book or a first look, if you haven’t yet heard of it.
- Irish mythology!
Ever since I read The Myths and Folk-Lore of Ireland, collected by Jeremiah Curtain, I’ve been into the meandering, tough, hyperbolic, funny stories from that country. Even though I know I’m mispronouncing all the names when I read it in my head. Max finds out (spoiler alert?) that he’s the sun of Lugh Lámhfhada, an Irish god associated with the sun and athleticism, which means he’s the half-brother of Cúchulainn, the Hound of Ulster, which is why he’s known as the Hound of Rowan (Rowan being the American Hogwarts stand-in here). Not that you have to know anything about Irish mythology to read the series, I just enjoy that Max has a grounding in a mythology that exists outside of the books.
This also means that Max is a real badass. He’s full of Old Magic and a member of the Red Branch (magical CIA type people) and although he wields the Gae Bolga, a sword/spear embedded with the terrifying bloodlust of Cúchulainn, he’s a pretty thoughtful kid thrust into a world where he has to make life or death decisions for, like, the entire human race.
Actually there are 3 children of Old Magic in this series. They all have their own strengths, and their own secrets. The magic is well spread out among the students and teachers and the political intrigue is well done.
- Totally epic, metal demons
Demons are a big part of this series. They are trying to infiltrate Rowan to steal a powerful book that can rewrite REALITY ITSELF… and they eventually do. But they don’t turn the world into a stereotypical hell. It becomes more feudal, and more pastoral. But still with tentacled horrors that live inside wells and terrorize families. As the present becomes the past… with demons, things are correspondingly more epic. It recalled the lyrics of metal bands such as the brutal (read:rad) Absu. This is from a song off of 2009′s Absu:
The old woman of Nippur
Instructs Ninlil to walk the banks of Idnunbirdu
She thrusts he magic (k)
To harvest the mind of the great
The bright-eyed king will fall to your anguish
His soul lures the hexagonal room
He who decrees fates – his spirit is caught
His soul lured to the hexagonal room
A silk veil strewn over you
Your face is the cosmos
You hide it in shame
I admire an author who is not afraid to change the entire nature of the Earth. Neff does it and pulls it off without becoming too lost in the large canvas he’s created.
- A new kind of adversary
Astaroth is the main antagonist, although the political intrigues of the demon world shift around during books 3 and 4. He’s firmly not in the Eye of Sauron all seeing all evil all the time camp. He’s an activist godlike figure. Like if NoFace from Spirited Away had all the powers of Old Testament God but not all the wrath – Astaroth pretends he’s a softy but really the world is just his plaything. He’s doing it for humanity’s own good. He thinks humanity is better without choices. His face is an always-smiling white mask.
- The first book is deceptively Harry Potter-like (with a dash of Riordan’s The Olympians)
I dunno, this isn’t a huge con for me, but it’s worth noting. Also, if you read the first book and were not into the Hag “humor”, it is much diminished in the others.
- The illustrations can take away from the story sometimes.
I hate saying this because Henry Neff is the writer AND illustrator, so these are the representations of the images that inspired the story that I enjoy reading so much… however, there have been times when seeing the illustrations takes the wind out of the much creepier thing I was thinking of in my brain, inspired by the prose.
- His website uses Papyrus as a title font.
Obviously the pros are much stronger than the cons, so what are you waiting for?