by REBECCA, April 16, 2014
Friends, enemies, and those totally indifferent to me, hello! It is my total pleasure to welcome the delightful J.C. Lillis back to Crunchings & Munchings for an interview on the heels of her sophomore release, We Won’t Feel a Thing, which I reviewed on Monday.
GIVEAWAY: J.C. is offering one lucky reader a free e-copy of We Won’t Feel a Thing. The form is at the end of the interview. Thanks for joining us, J.C.!
REBECCA: The idea of two best friends/beloveds deciding to use a self-help program to rid themselves of their love is so awesome! How did you come up with the idea?
J.C.: Thanks! Yeah, it was inspired by an offhand comment a friend of mine made to another friend who was having a difficult time. He told her that her life would be so much easier if she just learned to engineer her emotions. And he was a scientist, so of course we started joking about it: “oh, watch him actually start his own Emotional Engineering program.” The David Kerning character and his WAVES program started to evolve from there, and then David bumped into Rachel and Riley, and the story started to cook.
REBECCA: One of my favorite things about the book is that Rachel is a grammar and syntax nerd. Being one myself, I was delighted every time Rachel mentally deleted an apostrophe or corrected a malapropism. Are you a grammar enthusiast? Do you have a grammatical, syntactical, or linguistic pet peeve?
J.C.: I am, but I’m definitely not as obsessive about it as Rachel is. If I passed by a specials chalkboard advertising “chocolate croissant’s,” I’d probably be able to keep walking.
Oh geez, I have so many pet peeves. I share Rachel’s hatred of “impact” used as a verb; say something like “the economy impacted sales” and all I can think about are problematic wisdom teeth. All business lingo rubs me the wrong way. Just these smug, snappy idioms people whip out like a secret handshake, to feel important—herding cats and making it rain and drilling down to the granular level. And this is a pretty common peeve, but I am forever raging about “it’s” in place of “its.” It’s become such an epidemic that even autocorrect sticks the apostrophe in, like SLOW YOUR ROLL, AUTOCORRECT. Let’s consider context, shall we?
REBECCA: Your first novel, How To Repair a Mechanical Heart, which I adored, found you creating a fandom. In We Won’t Feel a Thing, you create two different self-help programs. Can you talk a little bit about what appeals to you about creating these worlds-within-worlds?
J.C.: I love this question. I’m sitting here like “yeah . . . why DO I do that?” I think it’s because I’ve always struggled to feel like I belonged, and I’ve had very intense obsessions with things that sometimes aren’t appreciated by many others (in my fandoms, I’m forever the queen of unpopular ships). So the idea of a little society or system devoted to an obscure pursuit or interest has always been compelling to me. I’m also the kind of person who needs to feel in control of things, whether it’s my workload or my emotions or my body, so I’m drawn to characters who invent systems and strategies to impose order on the untamable.
REBECCA: The love story in How To Repair a Mechanical Heart was between two boys. When I first saw the blurb for We Won’t Feel a Thing, I was a tad nervous because heterosexual love stories so often wind up reinforcing gender stereotypes. Not only did We Won’t Feel a Thing not do that, but Riley and Rachel’s genders also felt very fluid. I don’t mean to say that just because they weren’t stereotypical they were somehow unfixed; more that I was interested in the ways that it felt kind of like they could have been any combination of gender-identified people. What are your thoughts on this issue in general? Was gender something you were actively thinking about here?
J.C.: You’re the second person who’s made that comment, and I love that you felt that way. Some of that was natural and kind of arose from the type of person I am. I’ve never felt especially feminine or masculine in the traditional sense. I remember I had this rag doll as a kid; it had no hair or clothing, it was just the outline of a person with friendly facial features stitched on. I loved this doll, and I remember feeling annoyed and unsettled when people would ask “Is that a boy or a girl?” I hated that I had to pick, because neither option really felt like the truth. To this day I’m always attracted to people who combine traits we’re conditioned to think of as “male” and “female,” and I think I live comfortably in that gray area, too.
So yeah, it was partly automatic, but I was also very conscious of the approach to gender in WWFaT. I think l’ll probably hear some of “oh, Riley’s the ‘girl’ in the relationship,” which—like you indicated in your review—is sort of reductive and stereotypical. I wasn’t really aiming for a straight-up gender-role reversal; I was more interested in depicting two young people whose personalities both color outside traditional gender lines. I mean, Rachel and Riley have been isolated in their private “kingdom” for a good bit of their lives, so I feel like they don’t even see those lines at all. That felt freeing to me as a writer. I think back to the very first fictional relationships that captivated me—like, Frog and Toad or Bert and Ernie. I don’t remember giving gender a thought; it was their specific personalities and their interactions that jumped out at me and made them special. I wanted to recapture that with the Rachel/Riley relationship. I’m glad it worked for you!
REBECCA: We Won’t Feel a Thing is your second novel, but if I remember correctly from your first interview with us, you had the idea for it a long time ago. What was it like to revisit an older idea? Was your writing experience different, having had a first novel under your belt?
J.C.: Yeah, these characters have been with me since like late 2003. (I’d written three other novels before that, all of which will mercifully never see the light of day.) I finished the first draft and then set it aside for a while—I was pregnant at the time and very anxious about motherhood, so I needed a break. I wrote about half of another book when my daughter was a baby, and then I got the idea for HTRaMH and decided to run with it.
That first version of WWFaT was wildly different. And at first, when I decided to go back and revise it, I was naively optimistic. I just thought oh, I’ve already put one book out there, so this’ll be easy. I’ll tighten the beginning, cut stuff here and there, tidy it up and get it out in six months. But then when I changed the beginning, everything started to change. I ended up keeping maybe 5% of the original text. In some ways it was even harder than starting from scratch, because it was this constant process of letting go of stuff I liked from version #1 that just didn’t fit or make sense anymore. Talk about killing your darlings. It was a darling bloodbath.
REBECCA: You have a job and kids, right? How do you balance all that with writing? And what are the things that make you excited enough about a story that you want to make time for it?
J.C.: Oh man, it’s hard. It never stops being hard. I was just talking about that with a friend this weekend. A lot of times you feel like you’re doing everything, and none of it particularly well. Honestly, it’s just a “one day at a time” struggle . . . some days you manage to pull out a great idea at work and laugh with the kiddo at bedtime and write five good pages before you conk out, and other times the whole day’s just a wash. I think the key is learning to forgive yourself and be okay with the fact that your book might take longer than you hoped. Writer moms: It’s okay if you don’t write every day, or if you can’t write as fast as other people. You’ve got a lot going on. Years from now, you won’t look back and say “wow, I wish I’d gotten Book X out six months earlier.” You’ll only regret making yourself sick trying to work full time, be a mom, and still produce a book a year. Everyone works at a different pace, and that’s fine. Know what you can handle, and go easy on yourselves.
As far as staying passionate about a story—if you start with an idea and a character that make you vibrate with excitement, that’ll help carry you through the tough times in the Cave of Eternal Revision. If I get bored, sometimes I take whatever actors I’m crushing on at the moment and mentally cast them in my book, and that keeps it fresh and fun (and helps me hear the dialogue better, as a bonus).
REBECCA: Ha! I love that idea! Relatedly, I know a lot of our readers are also writers. You had great things to say about your experience with indie publishing in our last interview. Do you still feel as good about it? What advice do you have for someone writing books who may not want to go the traditional publishing path?
J.C.: I love being indie; I definitely think it was the right option for me and my weird little books. :-) You know, it has its pluses and minuses like everything else. Sometimes I feel a little frustrated by how difficult it is to spread the word about your stuff and attract new readers, especially when you have a shoestring marketing budget and another full-time job you’re committed to. I know there’s so much more I could be doing, and I always end up mad at myself: I should be tweeting/blogging more! I should’ve sent ARCs to more bloggers! If I just organized my time better, I’d have time for X and Y and Z . . .
But the reality is, none of us are superheroes. (At least I don’t think so. If you are, don’t tell; I might step on your cape.) I do what I can manage, and overall the whole indie adventure has been a tremendous experience. There’s nothing better than getting a tweet from a stranger who found and loved your book. I’ve managed to build up a nice readership little by little, and I love that I can still write back to every person who’s kind enough to reach out to me.
As far as advice: I’d say just put in the time to inform yourself about your publishing options, and if you decide to go indie, come on over to Twitter and join the writing community there. We’re a lot of fun, we’re generous with advice and support, and we’ve got your back. There’ll be tons of ups and downs as you figure out which choices are best for you and your book (because seriously, it’s different for everyone), but they’ll be much easier if you’re on the same roller coaster with your writer buddies.
REBECCA: Are you working on anything new (crosses fingers)?
J.C.: Oh yeah, I’m always working on something! Actually, I’m taking a short break right now—WWFaT took a lot out of me and I kind of just need a month to stare at a wall (and catch up on reading. And fangirl over Game of Thrones). But yes, I’ve got my next idea all cued up. It’s about female friendship, but it could possibly turn into romance, depending on where the characters lead me. It’s about the rivalry and deepening relationship between two ambitious pop-star hopefuls; I’ve been calling it Amadeus with young female singer-songwriters, though that’s probably too glib. The cool part is that Brandon and Abel from HTRaMH are going to be side characters. It’s set ten years after their Summer of Love, so you’ll see what’s happened with them in the interim and where their relationship stands now. I can’t wait to get started!
REBECCA: Aaaahhh! Amadeus is one of my favorite movies and I love anything to do with music! Um, oh my god, a Brandon and Abel sighting? I could not be more delighted! Thanks so much for joining us, J.C.!
J.C.: Thank you so much for having me on your blog! It’s always a pleasure to chat with you.
WIN AN E-COPY OF WE WON’T FEEL A THING!
All you need to do is fill out the handy form below and then (for fun!) leave us a comment telling us which better describes you (and why, if you are so inclined). Are you: 1. A fierce grammar nerd, or 2. A sensitive (and possibly anxious) artiste? Or, since binaries are bullshit, 3. An evil genius who will someday engineer an insidious self-help program? The giveaway will stay open for two weeks; I’ll announce the winner here on April 30th!